Nikon 40mm f/2.8 Micro-Nikkor DX Lens Review; Nikon 70-300mm f/4.5-6.3 AF-P VR DX; 24-70mm f/2.8E AF-S VR (maybe for a few people) Canon EOS 5DS Nikon 24-70mm F2.8E ED VR Nikon D810 Nikon D850 Sigma 24-70mm F2.8 Art Tamron SP 24-70mm F2.8 G2 If you believe there are incorrect tags, please send us this post using our feedback form . The 24-70mm f/2.8 S, while the fifth lens to sport the S badge, is really the start of something new in the Z lens lineup: truly professional caliber lenses, with high performance and extra features. Even a cursory examination reveals some of the features: integrated display, a Lens FN button, and a third (programmable) ring. Ricci (Utube) did a great comparison of the Z24-70 f2.8 and primes between 24 and 70mm. The 24-70 f2.8 is terrific. Unless you "have to have" and spend lots of $$ for primes, the Z 24-70 f 2.8 really does it all. Actually all the Z zooms are amazing. The primes are for specific occasions where you only want that focal length. From left to right: the earliest 18-55mm, the 18-70mm for this review, the 18-105mm, and the 18-135mm. The 18-70mm focal range gives you angle of views from ~19 to 66 degrees (horizontal) on a DSLR; it's effectively the same as using an 28-105mm lens on a 35mm body. For some users, that's a stay-on-camera range. Verdict. The Nikon Z 24-120mm f/4 S fills a small gap in Nikon’s line-up of Z-mount standard zoom lenses, slotting in between the more compact Z 24-70mm f/4 S and hefty Z 24-70mm f/2.8 S ‘trinity’ zoom. It’s sure to find favor with Nikon photographers shifting to mirrorless from a full-frame DSLR, who have long enjoyed the versatile 5x Left To Right: Canon RF 24-70mm f/2.8 L IS, Nikon Z 24-70mm f/2.8 S, Sony FE 24-70mm f/2.8 GM Great durability is one thing, but what about how a lens actually handles? This is an entirely different beast, and in the case of the Nikon 24-70 2.8 Z/S and its flagship-level competition, the operative word is definitely “beast”. En el AF-S 24-70mm f/2.8E ED VR esta caída de la luz disminuye bastante al bajar a f/4, en cualquier distancia focal. Las aberraciones cromáticas son visibles, en determinadas situaciones. Por tanto, puede ser necesaria su corrección desde la cámara o por medio de algún programa como Camera Raw, Photoshop o Lightroom. 7. TqJUgk.