Drum kick and Bass are great partners, first one is a punch , that hits you in the chest when you hear it, the second one is actually a sustain of that punch Sidechain is a type of compression in which the effect level on one instrument is controlled by the volume level of another instrument. Using a sidechain compression we are giving a space Check out the articles and videos below to learn everything you need to know about miking drum kits. They include comprehensive information about mic choice, mic placement, and what to do when you have a limited number of mics in your locker or a less-than-ideal recording space. Knowledge is power! Add an EQ to the least vital track. Sweep a hefty increase up the spectrum while listening to each track together. Discover a spot where the opposite track becomes exhausting to listen to. That is the frequency you need to reduce. Dip the frequency out slowly while listening to the opposite track. Tip#3 How to mix kick drum. First, we mix the kick because a good kick drum sound here will give you the best chance for success. Kick, snare, hat and bass create the groove of the song but the kick is the most important one. It’s the main element, it needs to be the leading one, however, in an EDM mix, we don’t process the kick much. 5. Delineate drum tones from spill with a multiband gate. Even “perfectly-miked” acoustic drums will not have perfect isolation from mic to mic. There will be some bleed from the snare, toms, and cymbals in the kick mic, bleed from the kick, toms, and cymbals in the snare mic, etc. There are other audio mixing tips related to compression such as side-chaining to an EQ. Using this method, you could, say, duck the bass out of the way by a couple of decibels every time the kick drum hits to increase clarity where they otherwise need to share the same frequency range and panning space. Typically If the song isn't playing find the first kick drum, adjust the red line beat grid to that (first if the bar) then the follow up grid should be the snare etc so on. Just like old school beatmatching etc. 4. kitchensofabed. • 2 yr. ago. Always check the polarity between the snare and the overheads, hi-hat, and bottom snare mic. If you’re not gating your kick drum, check the phase on that too. 3. Get the snare drum frequencies to sit in the mix. The way a snare sounds has a lot to do with its sonic relationships to other mix elements. EZJpF.